{"id":574,"date":"2021-04-08T15:39:35","date_gmt":"2021-04-08T19:39:35","guid":{"rendered":"https:\/\/www.yariproductions.com\/?page_id=574"},"modified":"2023-03-11T15:16:45","modified_gmt":"2023-03-11T20:16:45","slug":"projets","status":"publish","type":"page","link":"https:\/\/www.yariproductions.com\/fr\/projets\/","title":{"rendered":"PROJETS"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb606″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb10″][vc_column_text]\n

Yannick Rieu G\u00e9n\u00e9ration\u00a0Quartet<\/h3>\n

Pour son nouveau projet \u00ab\u00a0G\u00e9n\u00e9ration Quartet\u00bb, Yannick Rieu s\u2019entoure de 3 musiciens canadiens parmi les plus talentueux de leur g\u00e9n\u00e9ration. Ce groupe est form\u00e9 de la pianiste Gentiane Michaud-Gagnon ou Jonathan Cayer, du batteur Louis-Vincent Hamel et du bassiste Guy Boisvert ou Alex Le Blanc. Comme son nom l’indique, le projet \u00ab G\u00e9n\u00e9ration Quartet \u00bb rend possible un dialogue entre deux g\u00e9n\u00e9rations de musiciens qui, au fil des ann\u00e9es et des exp\u00e9riences partag\u00e9es, ont d\u00e9velopp\u00e9 une chimie particuli\u00e8re, un son bien \u00e0 eux.\u00a0Un pied dans la tradition jazz, l’autre dans l’innovation, ce groupe se caract\u00e9rise par la grande coh\u00e9sion de ses membres, qui explorent, dialoguent et \u00e9changent ensemble. Outre la spontan\u00e9it\u00e9 d\u00e9brid\u00e9e, l’\u00e9nergie collective est une autre grande force de ce quartet. La musique qu\u2019ils partagent est empreinte de po\u00e9sie, de myst\u00e8re et de beaut\u00e9, \u00e9voque l\u2019exp\u00e9rience humaine et spirituelle sous tous ses aspects.[\/vc_column_text][\/vc_column][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb718″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb10″][vc_column_text]\n

Yannick Rieu Qui Qu’en Grogne<\/h3>\n

Avec son nouvel album Qui Qu’en Grogne, Yannick Rieu nous invite \u00e0 revisiter ses origines musicales et ses premi\u00e8res influences avec de nouvelles compositions ancr\u00e9es dans la tradition classique du quartet de jazz. De simples m\u00e9lodies se d\u00e9veloppent et, au fur et \u00e0 mesure que le groupe improvise, deviennent plus \u00e9labor\u00e9es, allant au-del\u00e0 des attentes de l’auditeur. Les conversations musicales s’entrem\u00ealent, cr\u00e9ant un son v\u00e9ritablement unifi\u00e9.\u00a0 Pour ce nouvel enregistrement, Rieu a r\u00e9uni une combinaison unique de musiciens \u00e9tablis et \u00e9mergents : la pianiste Gentiane Michaud-Gagnon, le batteur Louis-Vincent Hamel et le bassiste Guy Boisvert. Comme son nom l’indique, G\u00e9n\u00e9ration Quartet est un dialogue entre deux g\u00e9n\u00e9rations de musiciens qui, apr\u00e8s plusieurs ann\u00e9es d’exp\u00e9riences communes, ont d\u00e9velopp\u00e9 une chimie et un son qui leur sont propres. Avec un pied fermement ancr\u00e9 dans le riche pass\u00e9 de la tradition du jazz et l’autre dans son avenir, la musique de ce groupe est impr\u00e9gn\u00e9e de po\u00e9sie, de myst\u00e8re et de beaut\u00e9 – cet album est une exploration \u00e9vocatrice de l’exp\u00e9rience humaine.\u00a0 Sortie: 29 avril 2022 chez Productions Yari.[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ 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Yannick Rieu MachiNations<\/h3>\n

Prix \u00ab Opus \u00bb <\/strong>\u00a0– Meilleur album de 2020
\n2019 Meilleurs Albums Jazz Canadien<\/strong>\u00a0– Ottawa Citizen
\n\u00ab\u00a0TOP 5\u00a0\u00bb de\u00a0 2019<\/strong> \u2013 sortiesJAZZnights
\n50 Meilleurs Albums de 2019<\/strong> – ICI Musique, Radio Canada<\/p>\n

\u00ab MachiNations \u00bb se veut un r\u00e9sum\u00e9 des diverses influences qui ont jalonn\u00e9 le parcours de Yannick Rieu. Explorant les diff\u00e9rents \u00ab grooves \u00bb issus du R&B, de la musique funk, du jazz-rock, du drum and bass et des musiques ethniques, Rieu souhaite n\u00e9anmoins sortir des sentiers battus par une exploration plus diversifi\u00e9e des harmonies reli\u00e9es traditionnellement \u00e0 ces divers genres musicaux.<\/p>\n

\u00abYannick inscrit son nom dans le grand dictionnaire des passeurs qui scrute constamment l\u2019horizon musical\u201d \u00bb\u00a0<\/em>
\n– Christophe Rodriguez<\/strong><\/p>\n

\u00ab Rieu nous invite ainsi \u00e0 p\u00e9n\u00e9trer dans la vision panoramique du monde et de la musique qui semble ondoyer dans son esprit \u00bb\u00a0<\/em>
\n-Fr\u00e9d\u00e9ric Cardin, Radio Canada<\/strong><\/p>\n

\u00ab <\/em>Qu\u2019il est d\u00e9licieusement aga\u00e7ant de se dire que l\u2019on est pass\u00e9 \u00e0 c\u00f4t\u00e9 d\u2019un ma\u00eetre pareil pendant tant d\u2019ann\u00e9es. \u00bb\u00a0<\/em>
\n– Alexandre FOURNET, France<\/strong><\/p>\n

Label (Canada)\u00a0: Yari Productions
\nLabel (France)\u00a0: Laborie Jazz[\/vc_column_text][\/vc_column][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb733″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb10″][vc_column_text]\n

Yannick Rieu MachiNAtions<\/h3>\n

Yannick Rieu s\u2019entoure des quatre musiciens canadiens parmi les plus repr\u00e9sentatifs de leur g\u00e9n\u00e9ration. \u00ab\u00a0MachiNations\u00a0\u00bb se veut un r\u00e9sum\u00e9 des diverses influences qui ont jalonn\u00e9 le parcours de Yannick Rieu. Explorant les diff\u00e9rents \u00ab\u00a0grooves\u00a0\u00bb issus du R&B, de la musique funk, du jazz-rock, du drum and bass et des musiques ethniques. Rieu souhaite n\u00e9anmoins sortir des sentiers battus par une exploration plus diversifi\u00e9e des harmonies reli\u00e9es traditionnellement \u00e0 ces divers genres musicaux. \u00a0Rieu r\u00e9affirme ici son ouverture \u00e0 d\u2019autres genres musicaux.\u00a0 \u00ab\u00a0MachiNations\u00a0\u00bb se d\u00e9marque par la multiplicit\u00e9 des influences musicales sans pour autant tomber dans le \u00ab\u00a0patchwork\u00a0\u00bb. Les diff\u00e9rents champs musicaux ou inspirations sont assimil\u00e9s et assum\u00e9s avec beaucoup de maturit\u00e9. L\u2019ensemble porte la signature de l\u2019artiste toujours en qu\u00eate d\u2019originalit\u00e9 et d\u2019\u00e9quilibre.<\/p>\n

www.yannickrieu.com<\/strong><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb 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Travelogue<\/em> \u2013 sur les traces de Joni Mitchell<\/strong><\/h3>\n

Joni Mitchell est une artiste unique et intemporelle. Non seulement a-t-elle une carri\u00e8re qui s\u2019\u00e9tend sur un demi-si\u00e8cle, mais chacun de ses albums est un monde \u00e0 part enti\u00e8re. Une formation constitu\u00e9e de la cr\u00e8me des musiciens canadiens, \u00e0 savoir Coral Egan (voix), Yannick Rieu (saxophones) et Daniel Thouin (piano) accompagn\u00e9s de Beno\u00eet Charest (guitare \u00e9lectrique), R\u00e9mi-Jean Leblanc (basse), Tristan Forget-Brisson (percussions), Miles Dupire-Gagnon (batterie) et Zachary Boileau (guitare acoustique) proposent ici un survol de son oeuvre o\u00f9 le jazz, la folk et la pop se c\u00f4toient de fa\u00e7on originale et pertinente. On peut s\u2019attendre \u00e0 une relecture tr\u00e8s personnelle des River, Big Yellow Taxi et autres Coyote, mais fortement ancr\u00e9e dans l\u2019esprit d\u2019ouverture musicale qui caract\u00e9rise le r\u00e9pertoire de Joni Mitchell. Les chansons deviennent ainsi un terrain de jeu propice \u00e0 l\u2019improvisation et \u00e0 l\u2019interpr\u00e9tation. Une r\u00e9trospective qui ne donne pas dans la nostalgie, mais qui s\u2019inscrit indubitablement dans le pr\u00e9sent.[\/vc_column_text][\/vc_column][vc_column column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb741″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb10″][vc_column_text]\n

Light as a Feather<\/em> par Chick Corea<\/h3>\n

Avec Coral Egan, Daniel Thouin, Alain Caron, Yannick Rieu et Paul Brochu.<\/strong><\/p>\n

Paru en 1973,\u00a0Light As A Feather\u00a0est le premier enregistrement du c\u00e9l\u00e8bre groupe de jazz fusion am\u00e9ricain Return to Forever. Ce premier opus acclam\u00e9 par la critique et aujourd\u2019hui consacr\u00e9 au panth\u00e9on des classiques t\u00e9moigne d\u2019une \u00e9poque marqu\u00e9e par de profonds changements. Se nourrissant de genres populaires de l\u2019\u00e9poque comme le rock et les musiques du monde, le jazz voit son vocabulaire et son instrumentation s\u2019\u00e9largir consid\u00e9rablement. \u00c0 l\u2019instar de Joe Zawinul et John McLaughlin, le d\u00e9funt pianiste et compositeur Chick Corea tire profit de son exp\u00e9rience aux c\u00f4t\u00e9s de Miles Davis lors des sessions de l\u2019album\u00a0Bitches Brew\u00a0pour fonder son propre v\u00e9hicule musical avec Return to Forever.<\/p>\n

Mettant en sc\u00e8ne une brochette d\u2019artistes parmi les meilleurs du Canada, au son de la superbe voix de la chanteuse Coral Egan, le public pourra red\u00e9couvrir l\u2019album\u00a0Light As A Feather\u00a0\u00e0 travers les vertigineuses envol\u00e9es lyriques du saxophoniste Yannick Rieu et du clavi\u00e9riste Daniel Thouin, le tout \u00e9tant soutenu par une section rythmique vers\u00e9e dans le jazz fusion que sont les incontournables Alain Caron (basse) et Paul Brochu (batterie).<\/p>\n

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